Black Crested Red Whiskered Bulbul

With more time to walk we are able to see more Bulbuls in the Hollywood hills and have managed to photograph several.
We first encountered this petite bird with colorful markings in the 1990’s at the Huntington gardens and felt quite privileged to site this bird that we have always associated with Asia and tropical environments. What we hadn’t realized was that the Bulbul was a common resident of the park in the 1970’s and 80’s and was on the A list as a non-indigenous species and destined for eradication. Thankfully sufficient public and birder opposition resulted in the suspension of this policy and now we enjoy this cheery musical creature in our own neighborhood.

I had a great deal of fun reading about the bird’s diet and habitat on Wikipedia and as a result know this passerine bird to be a fugivore. For those unfamiliar with these terms they simply mean that this is a bird that likes to perch and lives on a fruit diet. As a frugivore it makes sense that the Bulbul now thrives in Florida and southern California where fruit is abundant.
While the Bulbul is named for its small red-whiskers the males back crest and red abdominal feathers are much easier to spot as can be seen here. Like all passerines the Bulbul has three toes that point forward and one pointing back which makes perching an easy task.
If you are looking for a less flighty bird and one that you would like to use as a cabinet pull then consider the swallow pull or if you are searching for a wall statement check out our bronze jay bird.

To read more about the Bulbul’s near eradication please the article by Mary Barker


For those seeking to improve their ornithological knowledge or looking for words for Scrabble Wikipedia is great resource.

Insect Art - Next Stage For Beetle Panels

Martin Pierce begins his scarab panels by using the sketch shown in the last blog which he traces onto the surface of a paint primed plywood panel.
Using the same sketch Martin traces the body of the beetle onto a 1/8” thick of basswood which is then cut out using a scroll saw. Martin then rounds the edges of the beetle outline using a chisel which he also uses to add lines and indentations to the wing casings which gives the beetle a more 3-dimensional appearance. The beetle is then finely sanded and glued onto the primed panel and clamped in place to form a secure bond. After the beetle is firmly attached any excess glue is scraped away with small chisels.
Using his finger Martin smooths gesso onto the surface and into the pores of the basswood and working with a damp cloth removes any unwanted gesso as he goes.

For the legs and antenna Martin has made a small tool using a short piece of 1/8” round dowel with a chamfered end. The tool is similar in function to a pen quill and fine enough to be used to spread very small beads of thin gesso onto the primed panel to simulate the sections of the beetle’s legs and antennae. Once set any excess gesso is removed with a chisel and then the completed beetle and panel are sanded with very fine 400 grit sandpaper. The panel is then sealed with sanding sealer and is ready to be gilt and glazed.
Insect themes are also used by Martin as cabinet pulls and thumb latches and are central to many of his hardware designs.

Insect Art by Martin Pierce

The technique of Japanning is one we used extensively as furniture makers to adorn our case-goods with natural themes. We have also used this technique to create an animal carnival on a commissioned toy chest and more recently to create smaller scarab wall tiles which will soon be available for purchase.

In the scarabs depicted in our wall tiles the body shape is based on the gymnetis family of beetle. This class of beetle has large wing casings which provide a prefect natural canvas for bright iridescent colors.
For our ongoing home remodel we will be using the scarab tiles to add an artistic touch to our front door where 18 tiles will be laminated to the 18 raised door panels. We have chosen 5 distinct bugs ranging from the round from of the lady bird to the elongated shape of the buprestid and will be using an abundance of artistic license to paint them in a variety of colors.
The beetle shapes will be cut from 1/8” Masonite and then built up with a thin layer of casein to form a smooth surface which will be gilt with gold leaf. The gold leaf once sealed will provide the backdrop for the beetles markings which be created with oil paint diluted with a solvent to create a thin translucent color. Once applied the oil paint will be sealed with lacquer so that successive layers of color can be added. As the layers of color are heavily diluted the lustrous gold shines through to create an attractive iridescence albeit one that is vastly inferior to that seen in nature.

How to add some fun to your kitchen remodel

How to add some fun to your kitchen remodel

To provide a better understanding of our small insect and reptile cabinet pulls we will over the next few months be photographing these little creatures form different perspectives. The hope is that this will help homeowners plan how and where to use these pieces and have a little fun in the process. We have typically photographed these pieces straight on and not surprisingly this is how they have been used on cabinet door and door fronts.

Cabinet pulls are typically thought of as being directional pieces but in nature tree frogs which our sculptures are based on are not directionally restrained.
The first image shows the profile, rear and aerial view of the left and right frog sculptures.

The second image shows how these 2 frog sculptures could be arranged in a leap-frog formation going up and down the cabinet door and drawer fronts. Given the whimsical nature of these pieces we feel you can indulge your sense of fun when tackling the more serious task of a kitchen remodel.

The frog pulls shown here were cast in solid bronze and finished with a light antique patina which we strategically removed to create highlights which accentuate the very 3-dimensional nature of these pieces. All our cabinet pulls are sculpted as three-dimensional art pieces and each facet is refined to create a piece that is attractive from all sides.

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Choosing Cabinet Handles for Children

We have just had the pleasurable task of helping a very thoughtful parent select suitable cabinet handles for his children’s game closet. The cabinet was fronted by 2 outward opening large doors behind which were 6 sets of smaller double doors housing a variety of games.
What I found especially pleasing was the way an eclectic but related theme of handles was chosen with each child receiving his/her pair of handles. The cabinet pulls were chosen from our animal inspired collection and were all finished in a soft light antique oil rubbed finish.
The result was a very artful collection of pieces reminiscent of the specimen cases of 19th century entomologists.

Two larger Polynesian inspired pulls were chosen for the main cabinet doors, the pulls are very thought provoking as the design is a fusion of bird, vine stem and even human features all of which flow together to create an abstract mythical piece. Cast in solid bronze, the pull is affixed top and bottom with 2 substantial 1 1/4” tall 5/8” diameter threaded posts which provide good clearance from the front of the cabinet making it an easy piece to grip.

While the pieces chosen should make for some engaging conversations, they were not designed for any specific audience but rather reflect Martin Pierce’s fascination with animals and insects.

The piece shown below is one that Martin did design for children and one that he had immense fun making although the Bombay shape and the characters portrayed in the parade challenged his skills both as a wood carver and storyteller.

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Toy Chest Designed and made by Martin Pierce a private commission

Limited Edition Door Handles

Limited Edition Door handles
We are a limited production company making finely detailed hand-made door hardware but our grapevine heroic door handle is a limited edition and here we examine both concepts.

All of our hardware is made using the lost wax method of casting and each piece is always chased by hand and finished by hand, which is a production process that simply does not work for industrial manufactures making 100’s or thousands of door handles. As artisans we are able to focus on smaller quantities which ensures that we can produce high quality unique and we hope more interesting pieces. In this sense our work is similar to that of the boutique or small winery who by virtue of their size are able to put more care into their craft than larger wineries.
Continuing the analogy the Grapevine Heroic door pull is akin to a small celebratory edition of wine where the number of bottle is limited to a few cases. The door pull was designed as a statement piece for wine collectors and is scaled for large wine cellar doors. The pull is made with the same care as any other piece but it’s scale, design and complexity warranted the added value of a finite edition of 100 pieces. Being 42” high and with 3 intricate sections the waxes are made personally by Martin Pierce who shapes and refines the smallest of details so that each piece is truly unique. Each piece is numbered and signed by Martin at the wax stage and we are currently at number 15.

Our hardware designs evolved from our work as furniture makers where we offered limited editions for the Vine Highboy (100) Aspen Buffet (30) and Aspen armoire (50).
The small number of the edition and the price point ensure that the edition will take several years to complete with each piece being fresh to the artists eye.

Using a heated scalpel and hand chisel Martin removes small imperfections from the wax

The Design Process for Door Handles

Creating door hardware is a balancing act where artistic inspiration is balanced and refined to meet the practical demands of functionality.

Continuing from last weeks post I want to share some of the initial designs that were submitted to designer Debbie Zylstra for her client’s home in Kailua-Kona. Debbie was in the process of designing a home entertainment center in Koa wood and wanted to incorporate dramatic door pulls for sliding doors. The cabinet was grand in scale at a height of 9’ and the lizard heroic handles were considered as a possibility. These pieces are extremely realistic, and the client wanted something more stylized and original but in the reptile family so, pencil in hand, Martin sketched out the iguanas. Martin designed 2 interlocking iguanas which give the illusion of being 2 different pieces, but which use one iguana that is inverted to create a pair. To get a sense of proportion he then reduced the scale and inserted the design into a scaled drawing of the cabinet. The body and head of both iguanas project out from the cabinet door by 4” and the underside of each projects 1 ½” so that there is enough clearance for the hand to grab either the head or tail of each iguana to slide the pocket door open. The angle of the head, legs and tail were made so that the pair would interlock comfortably but leave sufficient space so that fingers would not be pinched.

Below are the original sketches for the first large reptile sculptures that are the central pieces in the Lizard collection. Given their realistic design Martin felt he needed to create a left and right facing lizard so that he could more naturally capture the movement of a pair of lizards. The pair was designed so that the head of the right lizard protrudes beyond the slate back-plate allowing the thumb to then be extended to depress the butterfly thumb piece and thereby release the door latch.

Insect Art Sculptures - Stag Beetles by Martin Pierce

We are focusing some of our design and casting energies on smaller terrestrial creates that arguably take on an extra-terrestrial persona when they are portrayed as larger than life subjects.

Beetles and in particular stag beetles have been inspiring awe in Martin Pierce since his early childhood but only now is he able to capture their majesty in bronze. The first sculpture of 2 fighting stag beetles was completed in the late 1970’s when Martin carved a pair in Ebony, a very hard wood that can be polished to a high sheen.

Stag beetles are part of the Lucanidae family of beetles of which there are several hundred different types. The stag beetle that Martin saw in England was probably the Lucanus Cervus so named for it’s very large mandibles that clearly reminded early botanists of stag antlers. The stag beetle is aptly named and like the male deer the mandibles are used like antlers to establish male rank and priority in everything from mating to food to territory.

The bronze beetles that from part of Martin’s collection of art works were loosely modelled on the Japanese Miyama stag beetle. The original pattern was carved in wood and 5 molds were made for the head, body, left and right legs and antennae. As the 6 legs (3 left,3right) are separate castings this allows Martin some leeway in how he welds and positions the feet and enables him to create a more animated sculpture.

The size of the sculpture 20” (from antler to toe) and the polished patina on the bronze metal allow the ridges and indentation of the wing casings and knuckles of the legs and serrated jaw bone to be appreciated as both tactile and visual experiences.